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31位
¥1,331円
評価: 0
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ブックオフ 楽天市場店
Schuyt（アーティスト）販売会社/発売会社：Globe発売年月日：2011/10/11JAN：8711525606807
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32位
¥1,386円
評価: 0
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古本買取本舗 楽天市場店
EANコード：7619931870724■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては 出荷まで48時間かかる場合があります。あらかじめご了承ください。■メール便は、1点から送料無料です。※宅配便の場合、2,500円以上送料無料です。※最短翌日配達ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い： 非常に良い状態です。再生には問題がありません。・良い： 使用されてはいますが、再生に問題はありません。・可： 再生には問題ありませんが、ケース、ジャケット、 歌詞カードなどに痛みがあります。
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33位
¥2,990円
評価: 0
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あめりかん・ぱい
発売日: 2021/8/27輸入盤USレーベル: Brilliant Classics収録曲:コメント:Richard Wagner began composing his Wesendonck Lieder during a stay in Zurich between November and December 1857. Originally conceived for female voice and piano alone, the five songs were later orchestrated, first by the Austrian conductor and composer Felix Mottl in 1893, and then later in 1976 by the German composer Hans Werner Henze, in a chamber setting. In fact Wagner had already orchestrated a version of "Traume" to be performed by chamber orchestra (with violin playing the voice part) on the occasion of his wife Minna's birthday in 1857. Later, in 1870, for his second wife Cosima's 33rd birthday, he enacted a similar gesture. Mixing new motifs with themes from his Ring cycle, he composed the Siegfried Idyll and had it performed by a small orchestra as a birthday surprise. Hanz Werner Henze's orchestration of Wagner's Wesendonck Lieder highlights the relationship between the words and the sounds. The agile yet intense scoring for ten wind instruments, harp and small string ensemble appears to be Henze's way of finding an alternative to the original piano without taking the cycle outside the realm of chamber music or altering the lieder's original image. Siegfried and Brunnhilde sing from the depths of their hearts returns here with the grace of a child's nursery. Salvatore Sciarrino's Languire a Palermo (Languishing in Palermo), composed in 2018, is predominantly built around the melody Tempo di Porazzi, a fragment composed by Wagner during a visit to Sicily in late 1881 and early 1882. Sciarrino describes the 'allure of a distant unaccompanied melody, played by someone for their own benefit and entrusted to the wind' and hypothesizes that it may correspond 'to the sounds in Sicily that stimulate and amaze the ears... Mediterranean charm gushes from the throat of every street vendor.'Richard Wagner began composing his Wesendonck Lieder during a stay in Zurich between November and December 1857. Originally conceived for female voice and piano alone, the five songs were later orchestrated, first by the Austrian conductor and composer Felix Mottl in 1893, and then later in 1976 by the German composer Hans Werner Henze, in a chamber setting. In fact Wagner had already orchestrated a version of "Traume" to be performed by chamber orchestra (with violin playing the voice part) on the occasion of his wife Minna's birthday in 1857. Later, in 1870, for his second wife Cosima's 33rd birthday, he enacted a similar gesture. Mixing new motifs with themes from his Ring cycle, he composed the Siegfried Idyll and had it performed by a small orchestra as a birthday surprise. Hanz Werner Henze's orchestration of Wagner's Wesendonck Lieder highlights the relationship between the words and the sounds. The agile yet intense scoring for ten wind instruments, harp and small string ensemble appears to be Henze's way of finding an alternative to the original piano without taking the cycle outside the realm of chamber music or altering the lieder's original image. Siegfried and Brunnhilde sing from the depths of their hearts returns here with the grace of a child's nursery. Salvatore Sciarrino's Languire a Palermo (Languishing in Palermo), composed in 2018, is predominantly built around the melody Tempo di Porazzi, a fragment composed by Wagner during a visit to Sicily in late 1881 and early 1882. Sciarrino describes the 'allure of a distant unaccompanied melody, played by someone for their own benefit and entrusted to the wind' and hypothesizes that it may correspond 'to the sounds in Sicily that stimulate and amaze the ears... Mediterranean charm gushes from the throat of every street vendor.'
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34位
¥3,940円
評価: 0
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あめりかん・ぱい
発売日: 2021/2/5輸入盤UKレーベル: Bad Reputation収録曲: 1.1 Oh My My My1.2 Sleazy Does It1.3 Lonely Since I Met Ya1.4 Had To Have It1.5 Such Is Life1.6 Feeling Low1.7 Ledz Boogie1.8 I Got It Going On1.9 Bottle In Me1.10 Firecracker Blues1.11 Tongue Tied2.1 Oh My My My2.2 Sleazy Does It2.3 Lonely Since I Met Ya2.4 Had To Have It2.5 Feeling Low2.6 Such Is Life2.7 Ledz Boogie2.8 I Got It Going On2.9 Bottle In Me2.10 Firecracker Blues2.11 Tongue Tieコメント:LIMITED EDITION COLLECTOR 2CDs - 'Wrong Again, Albert... ' is the quirkily titled debut record from West Lothian 6-piece Cosmic Trip Advisors. The Cosmic Trip Advisors are a rock 'n' roll band with a heart of soul. Rock 'n' Soul, if you will. In their world, Iggy can rub shoulders with Keef, Dolly can pinch Jimi on the arse & Macca can launch a goober at Rotten while Gram hums his approval from underneath a dusty old cactus... it's all good in the gumbo soup. The basic tracks were recorded live over a two-day period at Spinroad Studios in Sweden. Overdubs were added at Bad Cat Studios in Scotland. It was produced by Brit Award winner, Pedro Ferreira (The Darkness) and mastered by Ade Emsley at Table Of Tone Mastering ;The band all have similarly off-beat names: Lesbomb (vocals), El Cap (guitars), Tattie (guitars), The P-Man (keys), Mr Herringbone (bass), Pete The Beat (drums). Their true identities are since known : Lesley McGonnal, Mark Thornburn, Ian Tait, Peter Hampton, Herringbone & Peter Forrest. The opening track, Oh My My My! Batters in with some bonesaw-guitar riffage and thumping bass & drums. The sound is fleshed out by smooth organ sounds and the scene is set nicely for vocalist Lesbomb's entrance - and what a voice she has! Reminiscent of New York Queen Of Rock & Roll Sari Schorr in her grit and range - with a touch of Joanne Shaw Taylor's smoky tones in there as well - she owns the track and the whole album with a forceful performance. With the lead vocals continuing to astonish, the band's secret weapon is quickly revealed as the keyboard work of The P-Man. While both guitarists and the rhythm section all deliver great work throughout, The P-Man is the wild card and he brings something to the band's sound that few groups have these days. This digipack edition has a bonus CD with no 2nd takes, no overdubs or sneaky cheats. This is what Wrong Again, Albert... would have sounded like if it was recorded in one hour with six months more rehearsal, a new bass player (Chris Fulton) and a spring in our step. The icing on the cake is Lesley's incediary vocal performance throughout. If you loved her singing on "Wrong again, Albert... ", just wait until you hear what she's pulled out the bag this time. This is our debut album's unintentionally saucy little sister. #you know, the dirty one you wish you'd met first. In short... it's same, same, but oh, so very different. To recap! Unusual band name, unusual band member names, strong album artworks, full booklet with pictures and lyrics, eleven catchy tracks brewed from a slick mix of blues, rock and psychedelia with some standout instrumental performances and a real star turn from the lead vocalist. And a second twin CD, but not so twin.LIMITED EDITION COLLECTOR 2CDs - 'Wrong Again, Albert... ' is the quirkily titled debut record from West Lothian 6-piece Cosmic Trip Advisors. The Cosmic Trip Advisors are a rock 'n' roll band with a heart of soul. Rock 'n' Soul, if you will. In their world, Iggy can rub shoulders with Keef, Dolly can pinch Jimi on the arse & Macca can launch a goober at Rotten while Gram hums his approval from underneath a dusty old cactus... it's all good in the gumbo soup. The basic tracks were recorded live over a two-day period at Spinroad Studios in Sweden. Overdubs were added at Bad Cat Studios in Scotland. It was produced by Brit Award winner, Pedro Ferreira (The Darkness) and mastered by Ade Emsley at Table Of Tone Mastering ;The band all have similarly off-beat names: Lesbomb (vocals), El Cap (guitars), Tattie (guitars), The P-Man (keys), Mr Herringbone (bass), Pete The Beat (drums). Their true identities are since known : Lesley McGonnal, Mark Thornburn, Ian Tait, Peter Hampton, Herringbone & Peter Forrest. The opening track, Oh My My My! Batters in with some bonesaw-guitar riffage and thumping bass & drums. The sound is fleshed out by smooth organ sounds and the scene is set nicely for vocalist Lesbomb's entrance - and what a voice she has! Reminiscent of New York Queen Of Rock & Roll Sari Schorr in her grit and range - with a touch of Joanne Shaw Taylor's smoky tones in there as well - she owns the track and the whole album with a forceful performance. With the lead vocals continuing to astonish, the band's secret weapon is quickly revealed as the keyboard work of The P-Man. While both guitarists and the rhythm section all deliver great work throughout, The P-Man is the wild card and he brings something to the band's sound that few groups have these days. This digipack edition has a bonus CD with no 2nd takes, no overdubs or sneaky cheats. This is what Wrong Again, Albert... would have sounded like if it was recorded in one hour with six months more rehearsal, a new bass player (Chris Fulton) and a spring in our step. The icing on the cake is Lesley's incediary vocal performance throughout. If you loved her singing on "Wrong again, Albert... ", just wait until you hear what she's pulled out the bag this time. This is our debut album's unintentionally saucy little sister. #you know, the dirty one you wish you'd met first. In short... it's same, same, but oh, so very different. To recap! Unusual band name, unusual band member names, strong album artworks, full booklet with pictures and lyrics, eleven catchy tracks brewed from a slick mix of blues, rock and psychedelia with some standout instrumental performances and a real star turn from the lead vocalist. And a second twin CD, but not so twin.
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35位
¥1,386円
評価: 0
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もったいない本舗 楽天市場店
EANコード：7619931870724■こちらの商品もオススメです ● セヴン・デッドリー/CD/MICP-11041 / UFO / マーキー・インコーポレイティド [CD] ■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては 発送まで48時間かかる場合があります。あらかじめご了承ください。■メール便は、1点から送料無料です。※宅配便の場合、2,500円以上送料無料です。※最短翌日配達ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。※配送番号付きのゆうパケットをご希望の場合は、追跡可能メール便（送料210円）をご選択ください。■ただいま、オリジナルカレンダーをプレゼントしております。■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。■お急ぎの方は「もったいない本舗 お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■まとめ買いの方は「もったいない本舗 おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い： 非常に良い状態です。再生には問題がありません。・良い： 使用されてはいますが、再生に問題はありません。・可： 再生には問題ありませんが、ケース、ジャケット、 歌詞カードなどに痛みがあります。
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36位
¥1,336円
評価: 0
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もったいない本舗 おまとめ店
EANコード：7619931870724■こちらの商品もオススメです ● セヴン・デッドリー/CD/MICP-11041 / UFO / マーキー・インコーポレイティド [CD] ■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては 発送まで72時間かかる場合があります。あらかじめご了承ください。■宅配便(送料398円)にて出荷致します。合計3980円以上は送料無料。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■お急ぎの方は「もったいない本舗 お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い： 非常に良い状態です。再生には問題がありません。・良い： 使用されてはいますが、再生に問題はありません。・可： 再生には問題ありませんが、ケース、ジャケット、 歌詞カードなどに痛みがあります。
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37位
¥1,386円
評価: 0
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もったいない本舗 お急ぎ便店
EANコード：7619931870724■こちらの商品もオススメです ● セヴン・デッドリー/CD/MICP-11041 / UFO / マーキー・インコーポレイティド [CD] ■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗 おまとめ店」がお買い得です。■「非常に良い」コンディションの商品につきましては、新品ケースに交換済みです。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い： 非常に良い状態です。再生には問題がありません。・良い： 使用されてはいますが、再生に問題はありません。・可： 再生には問題ありませんが、ケース、ジャケット、 歌詞カードなどに痛みがあります。
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38位
¥2,890円
評価: 0
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あめりかん・ぱい
発売日: 2020/11/20輸入盤USレーベル: Brilliant Classics収録曲:コメント:From Javanese gamelan to Mozart, from nursery rhymes to passionate outbursts, from primitive percussion to the cafe chantant, Francis Poulenc gathered up almost all the formative influences on his style in his Concerto for Two Pianos of 1932. Aside from Mozart, there is also an evident allusion to Ravel, in particular to the two piano concertos, which were published and performed in the same year. Yet the originality of the concerto is never in doubt; the deep feeling and light touch of the central Larghetto bear Poulenc's fingerprints as clearly as the final gallop home. Much less familiar is the Scottish Ballad composed in 1941 by Benjamin Britten as a free fantasy for two pianos and orchestra based on a number of Scottish tunes, including 'Dundee', 'Turn Ye to Me' and 'Flowers of the Forest'. A lamenting funeral march is followed by a flamboyant Highland fling, in which Britten parodies 'Scottish' music in a display piece of great wit and vitality. This unique compilation concludes with a two-piano piece in which the orchestra is 'silent': the Premiere Suite written with orchestra in mind by Debussy in his early 20s. However, the orchestral score was lost for many years - even this two-piano version was only published in 2008 - and it's four movements show Debussy's language in the act of formation: unmistakably French, and harmonically novel for it's time, but still working in self-contained forms - a toccata, a ballet, a shimmering nocturne and a tumultuous final bacchanale.From Javanese gamelan to Mozart, from nursery rhymes to passionate outbursts, from primitive percussion to the cafe chantant, Francis Poulenc gathered up almost all the formative influences on his style in his Concerto for Two Pianos of 1932. Aside from Mozart, there is also an evident allusion to Ravel, in particular to the two piano concertos, which were published and performed in the same year. Yet the originality of the concerto is never in doubt; the deep feeling and light touch of the central Larghetto bear Poulenc's fingerprints as clearly as the final gallop home. Much less familiar is the Scottish Ballad composed in 1941 by Benjamin Britten as a free fantasy for two pianos and orchestra based on a number of Scottish tunes, including 'Dundee', 'Turn Ye to Me' and 'Flowers of the Forest'. A lamenting funeral march is followed by a flamboyant Highland fling, in which Britten parodies 'Scottish' music in a display piece of great wit and vitality. This unique compilation concludes with a two-piano piece in which the orchestra is 'silent': the Premiere Suite written with orchestra in mind by Debussy in his early 20s. However, the orchestral score was lost for many years - even this two-piano version was only published in 2008 - and it's four movements show Debussy's language in the act of formation: unmistakably French, and harmonically novel for it's time, but still working in self-contained forms - a toccata, a ballet, a shimmering nocturne and a tumultuous final bacchanale.
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39位
¥2,120円
評価: 0
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楽天ブックス
RIP ADDICTIONサーチ フォー アンダーグラウンド サーカス リップアディクション 発売日：2019年07月17日 予約締切日：2019年07月13日 SEARCH FOR UNDERGROUND CIRCUS JAN：4988044889033 BNRー2 BLACK NOTE RECORDS (株)ディスクユニオン [Disc1] 『SEARCH FOR UNDERGROUND CIRCUS』／CD アーティスト：RIP ADDICTION CD JーPOP ロック・ソウル
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40位
¥3,290円
評価: 0
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あめりかん・ぱい
2016/9/30 発売輸入盤レーベル：STRADIVARIUS収録曲：
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